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This study of the films of Oshima Nagisa is both an essential introduction to the work of a major postwar director of Japanese cinema and a theoretical exploration of strategies of filmic style. For almost forty years, Oshima has produced provocative films that have received wide distribution and international acclaim. Formally innovative as well as socially daring, they provide a running commentary, direct and indirect, on the cultural and political tensions of postwar Japan. Best known today for his controversial films In the Realm of the Senses and The Empire of Passion, Oshima engages issues of sexuality and power, domination and identity, which Maureen Turim explores in relation to psychoanalytic and postmodern theory. The films' complex representation of women in Japanese society receives detailed and careful scrutiny, as does their political engagement with the Japanese student movement, postwar anti-American sentiments, and critiques of Stalinist tendencies of the Left. Turim also considers Oshima's surprising comedies, his experimentation with Brechtian and avant-garde theatricality as well as reflexive textuality, and his essayist documentaries in this look at an artist's gifted and vital attempt to put his will on film.

NON-CLASSIFIABLE. --- Ōshima, Nagisa, --- Nagisa, Ōshima, --- 大島渚, --- Criticism and interpretation. --- Motion picture producers and directors. --- Directors, Motion picture --- Film directors --- Film producers --- Filmmakers --- Motion picture directors --- Moviemakers --- Moving-picture producers and directors --- Producers, Motion picture --- Persons --- 20th century japanese art history. --- 20th century japanese film. --- anti american sentiments. --- brechtian theatricality. --- cultural iconoclasm. --- cultural studies. --- cultural tensions. --- filmic style. --- identity. --- in the realm of the senses. --- japanese student movement. --- oshima nagisa. --- political engagement. --- politics. --- postmodernism. --- postmodernity. --- postwar japanese art. --- postwar japanese cinema. --- psychoanalysis. --- reflexive textuality. --- representations of women. --- sexuality and power. --- socially daring. --- the empire of passion. --- Ōshima, Nagisa,